Mike Portnoy interview (excerpts)

Dream Theater drummer Mike Portnoy revealed during an appearance last night (Oct. 6) on the “Friday Night Rocks” radio show on New York’s Q104.3 FM that the band has ended its longtime collaboration with Atco/EastWest Records/The Atlantic Group and is currently in talks with several labels about a possible new record deal. In addition, the group has entered a New York City studio with engineer Paul Northfield (Rush, Queensrÿche, Suicidal Tendencies, Marilyn Manson) to begin recording its follow-up to 2005’s “Octavarium”, tentatively due next April/May. A few excerpts from Portnoy’s “Friday Night Rocks” interview follow:

On current label negotiations and new album recordings:

“We didn’t wanna sit around waiting to close up the deal and deal with all the legal paperwork and all that, and have to wait until all that was done to start the record, so we booked the studio time — we wanted to start the record — so we started a month ago. But we’ve been meeting with lots of labels since we are here in New York [City recording], and I think we’re probably days to weeks away from making a decision and making an announcement.”

“We’ve done all of this pretty much on our own at this point. The labels thus far have… With the exception of our heyday 15 years ago, with ‘Images and Words’ and everything — other than that, we’ve pretty much just built this thing on our own, so it’ll be amazing to see what we can do with a little bit of support.”

“We are currently making our new album with Paul Northfield engineering. Dream Theater’s had the same engineer for the last 10 years — this guy Doug Oberkircher — and for the sake of getting some fresh ears with us in the making of the new album, we’re working with Paul, and Paul did [Rush’s] ‘Permanent Waves’, ‘Moving Pictures’, and ‘Signals’, as well as some of the newer stuff, so we’re getting Rush stories every day from Paul about the making of those albums, and how they recorded the guitar solo for ‘Limelight’; he would tell us about the change of tide with ‘Signals’, and stuff. So we’re hearing Rush stories every day. It’s really cool. Paul is an awesome guy.”

On jamming with Overkill at a recent Gigantour stop in New Jersey and the possibility of doing a “heavy” side project in the future:

“Yeah, those guys [Overkill] are awesome. Man, I gotta do a heavy side project. I just love playing that heavy stuff.

“Me and Mikael from Opeth and Steven Wilson from Porcupine Tree, the three of us have been talking about doing something for a long time now, it’s just been a matter of our schedules not working out, but I think it’s inevitable that this project will come off in the near future, as soon as we can find a window that all three of us can together.

“I’ve done so many projects through the years, but none of them were like a real metal project. I’ve done prog things or classic-rock things or — you know, OSI, Transatlantic, those were kind of more proggy — but I’ve never done like a real metal thing, and that’s so much in my blood.”

On spending a day with Rush drummer Neil Peart recently:

“We did an interview together — an interview and a photo session — for a drum magazine in England called Rhythm. I haven’t even announced this yet, but this is a really cool thing that I’m gonna be doing for Rhythm where they’re letting me be the guest editor of an issue, and I get to interview and get together with several of my big influences. So I got together with Neil, I got together with Nick Mason from Pink Floyd, [and] I’m gonna be doing Lars and Bill Bruford next month when I get home from South America. Anyway, it’s gonna be a really super-cool issue, and Neil was totally accomodating. As soon as I contacted him about doing this, he was totally on board — super-cool. We met and had a great time.”

On never having met Peart before the recent get-together:

“It’s funny. He’s the one guy that’s eluded me all of these years. I’ve met everybody — from Ringo, all across the board — but Neil was so elusive. All these years, I was thinking he was dodging me. I was starting to to take it personally. But he welcomed me with open arms. He was really, really cool. He’s an incredibly cool guy.”

https://www.blabbermouth.net/news/dream-theater-drummer-says-there-are-no-hard-feelings-between-him-and-queensr-che-singer/

Portnoy had the following response when asked by a fan regarding his “war of words” with Tate:

“I’ve gotta choose my words carefully or else I’m gonna end up on the front page of Blabbermouth tomorrow morning. [Laughs]

“There’s no hard feelings. I think that the things that were said between me and Geoff, a lot of it got blown out of propotion, a lot of those feelings and… whatever. When I went and saw them in New York a few weeks ago, they were all totally open arms to me, and Geoff was cool. And the next night when they were here on Eddie’s show, they were totally cool about it.

“You know what it is? I think when we toured together with them, it was a co-headlining thing — we were sharing the lights and the video and the sound. We had to work together on a lot of things. And I’m very used to running our band and our organization and our live touring situation a certain way, and I guess Geoff is used to it his way, so inevitably, as much of a great time we had, there was also moments where I wanted something some way and he maybe wanted it the other, so as kind of the two heads of our organizations, inevitably, maybe, he got turned off by my headstrongness and same vice versa. I guess when you’re kind of a perfectionist, or a controlling person, and you have to kind of share that situation with another band, it’s tough, and maybe some of it rubbed him the wrong way. But I’ve had nothing but good stuff to say about that tour we did together — it was a lot of fun, every night we jammed together, and I thought it was a great thing for the fans, and we had a good time. There were little things here and there in terms of the whole behind-the-scenes thing, but it was really all a very, very good-spirited tour.

“It’s hard in the age of the Internet to keep things cool and not get blown up. After what went down here with Geoff and me, it was all over Blabbermouth the next day and then from there it was on every web site from here to Australia, and the fans get into it with each other, and they blow it up, and every word is dissected. That’s the scary part. I know I did a Metal Sludge interview back in 2000 — it was like six years ago — and I still get heat over that. Because everything you say on the Internet gets spread around and people just blow it up into the biggest thing.”

https://www.blabbermouth.net/news/dream-theater-score-dvd-certified-platinum/

Dream Theater recently ended its longtime collaboration with Atco/EastWest Records/The Atlantic Group and is currently in talks with several labels about a possible new record deal. In addition, the group has entered a New York City studio with engineer Paul Northfield (Rush, Queensrÿche, Suicidal Tendencies, Marilyn Manson) to begin recording its follow-up to 2005’s “Octavarium”, tentatively due next spring. “We’ve written about half the album at this point and have tracked the drums and the guitars for that much,” Portnoy revealed during an appearance last Friday (Oct. 6) on the “Friday Night Rocks” radio show on New York’s Q104.3 FM. “We’re booked through January at this point; me and John have a few breaks for G3 tours. Basically, we’re looking to finish up January/February. Then it takes a couple of months for the label to set it up and get it out. So we’re hoping by spring — April or May is what we’re hoping for — and hitting the road by the summertime. That’s the general schedule that we’ve penciled in.’