Through My Words / 2021

Originally published in press release · January 2021

Liquid Tension Experiment 3 band comments

News2 min read

Liquid Tension Experiment, the legendary supergroup comprised of Mike Portnoy (Transatlantic, Sons of Apollo), John Petrucci (Dream Theater), Jordan Rudess (Dream Theater), and Tony Levin (King Crimson, Peter Gabriel) recently announced their return with a new album titled LTE3, due to be released March 26th, 2021 via InsideOutMusic, twenty-two years after the bands’ last studio album.

“‘The Passage of Time’ was the very first song we composed together when we reunited this past summer. It was so exciting to be back in a room creating together again after so long (22 years for all 4 of us and over 10 years for the 3 of us since being together in DT).

This serves as a great first taste for the listeners as it combines so many of the musical elements that makes LTE unique.”

—Mike Portnoy

“This was the first song we worked on and when it was done, we all knew once again how amazing it was to be working together. We knew we were on to something and that this was going to be a really amazing album. Nothing about the passage of over two decades could’ve done anything to change that. To me this song truly reflects the collaborative songwriting efforts of all four of us.”

—John Petrucci

There is an undeniable chemistry that happens when the four of us are together. Entering the studio and starting work on ‘The Passage of Time’ after 22 years literally gave me a whole new perspective on these important musical (and personal) relationships and the way time is so relative. We just jumped right in, it was like no time had passed at all, and we created a song that has so many of the elements that make LTE unique. Not a day has gone by since our last release when I wasn’t asked, “When is LTE getting back together again?” Now we can finally deliver, and I can’t wait for everybody to hear our creation.”

—Jordan Rudess

“From the murky depths of the lockdown, LTE has re-emerged, galvanized, dripping with ideas, and taking no prisoners. ‘The Passage of Time’ is just the beginning.”

—Tony Levin

https://www.youtube.com/watch?v=RJWTT35GhQc

“This was a riff that I brought into the sessions that I thought was interesting because it’s in an odd time and phrased in a way that is hard to wrap your head around at first until you understand where the groove is. When I first presented it to the guys, their initial reaction was “how are you feeling that?” When the band enters after the opening riff it probably sounds a little ‘odd’ because the time signature is a bit unclear until the song gets going. If LTE ever had a ‘prog pop hit’ this would be it!”

—John Petrucci

“I remember the look of confusion on ALL our faces when JP started playing that opening riff! It’s was seemingly so straight ahead but with a bizarre rhythmic twist! Took a while to internalize that but then we all loved it! One of the great things about LTE is the fact that we just let ourselves loose and have FUN!”

—Jordan Rudess

“‘Beating The Odds’ is the 2nd song we wrote in the LTE3 sessions. I jokingly referred to it as “the feel-good song of the Pandemic” in the studio as it has a very upbeat happy feel to it...but also takes a few cool musical twists & turns ranging from the glorious melodic chorus & end vamp to the dark driving solo sections”

—Mike Portnoy

“Starts with an off-step riff, kind of like walking upstairs backward, but at the repeat you get it. Then it opens up into “anthem land.”. Later there are unison bass lines where both Jordan and John got flangy sounds that work well with the bass. Mike’s unstoppable energy is evident here, and we’ve got more fantastic J&J solos. At only five and a half minutes we start fading out… a short song by our standards. But we’re just getting warmed up.”

—Tony Levin

https://www.youtube.com/watch?v=OSNVo6bZGUs

“Hypersonic was the last song we composed of the four new compositions. We knew we needed an opener that was just going to take peoples’ heads off from the minute you hit play. Paradigm Shift opens with this 5 second run that just punches you in the face. This time around we open with a 30 second run before we even settle into the main riff and groove. It was absolutely designed that way and to me it’s kind of a cross between Acid Rain and Paradigm Shift mixed with a lot of The Dance of Eternity kind of insanity. We purposely threw everything including the kitchen sink into that one.”

—Mike Portnoy

“As we were putting the album together, we all felt that there needed to be a track that had some chops and speed and that frantic nervous energy that a song like Paradigm Shift from the first LTE album or Acid Rain from LTE2 had – something heavy and full of energy. This song definitely checks off that box. There are a lot of intricate, full-band unison moments where the challenge is to be as locked as possible and I think those types of passages on this song are a testament of how well we work together. This song really reflects the personalities of all four of us and has a lot of very musical, as well as quirky moments, that just make it a very fun ride.”

—John Petrucci

https://bravewords.com/news/dream-theater-guitarist-john-petrucci-living-in-the-studio-for-a-year-video

“I remember how this one started – Petrucci head down at the guitar bringing this crazy riff to life, and things proceeding with great inspiration after that. Sometimes inspiration takes you on a ride and the whole chromatic moving section with chordal variation rushed out of all of us. This piece also features a totally written counterpoint thing at 4:10. Add some mad unisons and some Levin inspired, Zappa-like madness and you have a tune called ‘Hypersonic!’”

—Jordan Rudess

“I think I heard the guys saying, ‘let’s get more nuts with the opening riffs than we did on the previous albums.’ For me it’s time to pull out the Stick – the only way I have a chance to keep up. Our usual plan is enacted here – blazing fast sections lead to melodic areas you want to sing along with but can’t because there are so many twists and turns.”

—Tony Levin

Originally published January 2021.